GT Ultra

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Family overview
  • Standard
  • Thin Italic
  • Light Italic
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  • Bold Italic
  • Black Italic
  • Ultra
  • Median
  • Thin Italic
  • Light Italic
  • Regular Italic
  • Bold Italic
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  • Ultra
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  • Light Italic
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  • Bold Italic
  • Black Italic
  • Ultra
Subfamilies
  • Standard Thin
    Dualism contrasts with monism, which is the theory that there is only one fundamental kind, category of thing or principle.
  • Standard Thin Italic
    Moral dualism is the belief of the great complement of, or conflict between, the benevolent and the malevolent.
  • Standard Light
    The speed, accelerations and decelerations of a skilled calligrapher’s movements aim to give “spirit” to the characters, greatly influencing their final shapes.
  • Standard Light Italic
    Physical parameters include the shape, size, stretch, and hair type of the ink brush; the color, color density and water density of the ink.
  • Standard Regular
    Senior recitals take place at the Palladium Theater, a historical landmark in downtown St. Petersburg.
  • Standard Regular Italic
    Today, this is most commonly done with a pen, or pencil, but throughout history has included many different implements.
  • Standard Bold
    Yao Mi thought hard for aminute, then her flying pen wrote several lines.
  • Standard Bold Italic
    She picked a hearty typeface that made the words declarative and secure and placed them on crew-neck shirts on the flat cotton plane across the sternum.
  • Standard Black
    She picked a hearty typeface that made the words declarative and secure and placed them on crew-neck shirts on the flat cotton plane across the sternum.
  • Standard Black Italic
    Garden scientists and collaborators work to develop sustainable management plans for protecting at-risk species and ecosystems.
  • Standard Ultra
    Moral dualism is the belief of the great complement of, or conflict between, the benevolent and the malevolent.
  • Settings
    Size
Typeface information

GT Ultra dances between the worlds of sans and serifs, fusing calligraphy and construction. The versatile typographic system combines the centuries-old context of serif type with the dynamism of modern sans; challenging its own definition and questioning contemporary typographic expectation.

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Latin-alphabet languages: Afaan, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Asturian, Atayal, Aymara, Azerbaijani, Basque, Belarusian, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Croatian, Czech, Danish, Dawan, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hawaiian, Hiligaynon, Hopi, Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Irish, Istro-Romanian, Italian, Jamaican, Javanese, Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan, Kaqchikel, Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Kurdish, Ladin, Latin, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Niuean, Noongar, Norwegian, Occitan, Old Icelandic, Old Norse, Oshiwambo, Palauan, Papiamento, Piedmontese, Polish, Portuguese, Q’eqchi’, Quechua, Rarotongan, Romanian,Romansh, Rotokas, Inari Sami, Lule Sami, Northern Sami, Southern Sami, Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Upper and Lower Sorbian, Northern and Southern Sotho, Spanish, Sranan, Sundanese, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Tuvaluan, Tzotzil, Venetian, Vepsian, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni

Typeface features

OpenType features enable smart typography. You can use these features in most Desktop applications, on the web, and in your mobile apps. Each typeface contains different features. Below are the most important features included in GT Ultra’s fonts:

  • SS01
  • Alternate g
Aggregates
Typeface Minisite
  • Visit the GT Ultra minisite to discover more about the typeface family’s history and design concept.
GT Ultra in use